We are the workshop, not the middleman — every piece is made by hand in our own facility in Surat, led by a master craftsman of 40 years at the bench and the engineers who make the work visible to you. You approve a prototype you can hold before a gram of gold is cut. Designed for one person, made once, never repeated.
You're not briefing a showroom — you're briefing the bench itself. Nothing is cut until you've held the model. Nothing is set until you've seen the stones. You watch the piece come together from your phone — render, resin, casting, setting, finish.
WhatsApp, video, or in person. We listen for the piece behind the request — the heirloom you wish you still had, the signet or chain you've been screenshotting for months, the occasion you don't want to name out loud.
Reply within four hours · ISTHand sketches first, then a render you can rotate, then a resin model you can hold and wear. You see and touch the exact piece before we commit a gram of metal.
Resin prototype shipped worldwideNatural or lab-grown, your choice, openly priced — every stone IGI- or GIA-certified, shown to you on video before it's set. Nothing about the stone is opaque, including its margin.
IGI · GIA certificates in your nameYour karigar casts, sets and finishes the piece in Surat. You watch it come to life — short videos and photos from the bench to your phone, every working day until it leaves us.
Daily updates from the benchBIS-hallmarked gold. Stone certificates in your name. A folio with the maker, the weight, the karat, the setting hand — and our word that the design is retired the day it ships. Insured worldwide, door to door.
BIS hallmark · made once, never reproducedThe cutter, the bench, the setter, the finisher — every stage of the work happens within forty meters of itself, inside our Surat workshop. One team, accountable end to end — and the margin a showroom would take stays in the gold, not in the markup.
Owning the chain means honest pricing, honest timelines, and one team accountable to you from the rough stone to the photograph that ships home with the piece.
No middlemen, no agents, no marked-up subcontract. The karigar who set your stone is the karigar named on your folio.
The house is named for the people who make the work. The master who leads the bench has spent forty years at it — most of them setting the most intricate work in the catalog. Around him, eleven karigars, each named, each accountable to the piece they sign.
"Polki is patient work. The uncut diamond doesn't change for you — you change for the diamond. Forty years, and it still sets the pace."
Trained on the bench since fourteen. Sets every commission's hardest passage — the closed-set polki, the temple-stone navaratna, the meenakari reverse. Every karigar in the workshop has trained under him.
Read the master's story →Working beside them, the engineers who make the bench visible to you — the CAD modellers, the resin printers, the people who send the render you rotate and the videos that arrive from the floor each day. Old-world hands, modern transparency, one workshop.
Four minutes, one bench, uncut. Not a brand film — an unbroken walk through our Surat workshop, cutting to finish, filmed in one morning. The benches are real, the people are named, the work is happening today.
Walk the workshop →A diamond Cuban link and a polki choker come off the same bench. Signet rings, solitaires, heirloom remakes, temple-work long sets — every line below was commissioned by a real client. None of it is on a shelf.
We don't reproduce a finished commission. Yours is the only one that will ever wear it.
Commission a piece